Elite Anamorphic Lens Set - 9 Focal Lengths
Elite Anamorphic 9 Lens Set (T2.1 MRK V Series)
Welcome to the flagship of anamorphic motion picture lenses. With NINE focal lengths & color matched lenses in the set, all shots are now possible. These lens yield beautiful bokeh and the classic anamorphic horizontal flares. All lens are front element anamorphic creating the signature of the great movies of all time… Each lens comes in its own flight case with the necessary support. Rent Optica Elite Anamorphic Lenses For The Ultimate Experience… ARRIHEAD Gear Head can be included with this set.
Lenses used in Robin Hood (2010)
24.5mm (T2.1)
32mm (T2.1)
40mm (T2.1)
50mm (T2.1)
75mm (T2.1)
100mm (T2.1)
135mm (T2.5)
180mm (T2.8)
250mm (T3)
ARRI ALEXA XT S35 Optica Elite Anamorphic 50mm T2.8/4 Split ARRIRAW 4:3 - Rob Stiff Performing The Ultimate 3 Card Trick
Elite Anamorphic Lens S-7 Set - 6 Focal Lengths - Lightweight Lenses
S-7 Elite Anamorphic 6 Lens Set
ANAMORPHIC LENS S-7 offers anamorphic lens characteristics including 2:1 oval bokeh for out of focus highlights. Especially well balanced for astigmatism and corrected for lateral and longitudinal aberrations over the entire image area. Linear iris.
32mm (T2.2)
40mm (T2.1)
50mm (T1.9)
75mm (T1.9)
100mm (T2.3)
135mm (T2.3)
Optica Elite S35 Lenses - 8 Focal Lengths
Optica Elite S35 Lenses T1.3 8 Prime Lens Set
Anything is possible with this 8 lens set. Make an entire movie with this set of Super 35 set of lenses. They are super fast at T1. 3 shooting at night where most lenses are unable to go…
Used for feature film Zero Dark Thirty
12mm (T1.9)
14mm (T1.9)
18mm (T1.3)
24mm (T1.3)
35mm (T1.3)
50mm (T1.3)
75mm (T1.4)
100mm (T1.6)
Master Prime Lenses - 12 Lens Set T1.3
Master Macro 100 Lens - ARRI ZEISS PL Lens
For those who want the ultimate in image quality for table top cinematography, product shots, close-up inserts on feature films or any other applications that require a macro lens, the ARRI Master Macro 100 delivers images of breathtaking beauty.
100 mm macro lens with 1:1 magnification ratio
Novel optical design optimized for close-up work
Specifically created for cine applications
·Wide T-stop range: T2.0 (infinity)/T4.3 (close focus) to T32
Fujinon Alura Lightweight Zooms
Angineux Optimo Style 16-40 T2.8 (F/2.6) & Angineux Optimo Style 30-76 T2.8 (F/2.6)
Cinematic Look – No breathing with superior controlled distortion – T2.8 constant across entire 30-76mm zoom range. Color matched to the Cooke & Elite lenses – Truly a Variable Prime lens optically in design. This lens WILL work on mechanical shutter cameras such as the ARRI ALEXA STUDIO.
The Angénieux Optimo Style 30-76 celebrates over 75 years of defining a look in the motion picture industry…
Only 4.2 lbs (1.92 kg) – Aperture: f/2.6 – T2.8 – Zoom ratio: 2.5X – Length: 186 mm
MOD: 2 ft – 0.6 m – Image coverage: S35 + 31.4mm diagonal
ARRI Fujinon Alura Studio Zooms 18-80 & 45-250 T2.6
Light Weight Zooms 15.5-45 & 30-80 T2.8
ARRI Fujinon Alura 18-80 T2.6
Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size and weight.
Lenses used in Killer Joe (2011)
ARRI Fujinon Alura 18-80 T2.6
Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size and weight.
Lenses used in Killer Joe (2011)
The lenses are no longer manufactured perhaps the most demanded set of vintage primes on the planet…The favorite lenses of a cinematographer.
Super 35: 18mm, 25mm, 35mm, 50mm & 85mm all T1.3
Lenses used in The Shawshank Redemption (1994)
-Lightweight lenses
-Markings in both meters & feet
-Works great in all lighting conditions
– T1.3 with a 7 blade iris
-Aperture goes as low as T16
"It's absolutely essential that I get a sharp image every time,
and these lenses have never let me down."
Filter Set
The look and feel you want
with the convenience you need.
MB20-II
5.65″x5.65″ Compact Matte Box MB-20 and MB-20 System II are modular systems that can be adapted for use on film and video camera lightweight support, bridge plate support rods, or as a clamp-on sunshade.
LMB-25
The LMB-25 is a clamp-on matte box that expands the feature set and creative possibilities of the LMB-15, while retaining the low price tag of an entry-level LMB-5.
6×6 Matte Box
It allows a lightweight matte box to be utilized even when extremely wide angle lenses are used on the camera.
ARRI FSND Filters
An anti-reflective multi-coating, which is absent in most external filters, maintains high image contrast. A water white optical glass is precision polished. A broadband absorptive coating ensures an even attenuation of the light over the full spectrum, which is why they are called Full Spectrum Neutral Density (FSND) filters. There is no color shift at any density.
.3, .6, .9, 1.2, 1.5, 1.8, 2.1, 2.4
ARRI ZEISS Master Diopters
The ARRI/Zeiss Master Diopters are a set of three diopters (+0.5, +1 and +2) that work with all ARRI Primes such as Master Primes, Ultra Primes, Ultra 16 lenses, the ARRI/Zeiss Lightweight Zoom LWZ-1 and others. With the Master Diopters it is possible to quickly grab an extreme close up or get a wide angle shot with shallow depth of field, all with un- precedented sharpness and contrast and without the optical aberrations of traditional diopters.
Master Diopters provide considerably better optical quality than regular diopters since the +1 and +2 diopters use an achromatic lens assembly and they all use the Zeiss T* coating. The achromatic lenses greatly reduce color fringes and spherical aberration, common problems with traditional one lens diopter designs. And the same Zeiss T* coating that is used on the Master Primes reduces glare and improves transmission for higher contrast.
Rentmoviegear.com
We offer complete camera, lens, and lighting packages. We also have dollies, jibs, and sliders. We’re centrally located in the United States, allowing us to rent out our equipment locally, Omaha, Minneapolis, Fargo, Sioux Falls, Rapid City, Deadwood, Des Moines and to the coasts and everywhere in between.